The typical schtick of crowd sing along with Wayne and the nun puppet He went on to say it isДЇor anyone that faces challenges and struggles in life. Schwartze****** was elected governor of California. That the band started playing the song again in California after Arnold This version sounded much more like the DVDAДҐ.1 disc that the band has released. The version the lips played though was different from the Since the whole Cat Stevens lawsuit makes this song a perfect candidate to I was kinda surprised by this song choice IДЄm not sure how the show will sound but in the studio everything was very The band opened up with Race for the Prize with two suns dancing behind. To work with him to make this the best ACL Taping ever. Wayne with the fake blood all over his face. Ones egging the crowd on the most to bring the lips back onstage for anД®ncore.) Also I wonder if PBS will have any problems showing close ups of (However at the shows end the ACL staff were the The camera operators seemed a little stressedДЄbout the confetti and balloons flying everywhere while people in animalД¬ostumes shook flash lights all around while Wayne filled the stageД¬ompletely with smoke. Think the people at Austin City Limits (ACL) had any idea what they were Set list in their current very rocking and feedback heavy style. Somewhere over the Rainbow (with StevenвЂ™s Dad)ДЄbsolutely great performance this evening. War Pigs (Black Sabbath Cover with Chan Marshall of Cat Power)

The Flaming Lips play the All Tomorrow's Parties festival, curated by Modest Mouse, in Long Beach, California, 6 to 7 November What a great life!'ДЄn extended Surround Sound 5.1 DVD-Audio version of The Soft Bulletin will be released soon. If you like The Beatles or Stockhausen, we're like a little bit of both, but I'm always surprised when we get on MTV or we get played on the radio. It's not like we say: let's be weird! We kind of just end up being whaaa!, you know, whatever we are. The Flaming Lips are just doing whatever we can. They could get played on the radio and they could be on MTV but they purposely go the other way. People think of us in this realm of progressive rock, the way maybe Radiohead is, and I try and remind people: the difference between us and Radiohead is I believe Radiohead could make a record that was more mainstream. 'The Flaming Lips don't really go out of our way to be commercial or to get on the bottom rung of mainstream music. It's interesting to our fans who like to follow our ideas,' says the front man.' We've collected them and remastered them, and we'll tell people the stories or the reasons why we didn't feel like we could use them on The Soft Bulletin.

'Most people who are computer-savvy have heard these tracks. 'The Lips won't be playing Britain until next year, but in the meantime fans have an extended surround sound 5.1 DVD-audio version of The Soft Bulletin to look forward to. There are a few blurbs from the article that specifically deal with the DVD-A. The Independent's interview with Wayne can be found here: More Soft Bulletin DVD-A news today from the UK press. They also recorded a new song for 'Christmas On Mars' and a couple of new songs for consideration for the next album, my favorite of which is called something like 'You've Got To Hold On.' I don't know what the exact plans are for that song, but I'll keep you posted. They also added tracks to a collaboration with the Thievery Corporation called 'Marching The Hate Machines Into The Sun' (or something like that) which turned out great also. Try to listen to it without a tear coming to your eye. It's supposed to be on a Daniel Johnston tribute album coming out soon-ish and, although I haven't heard the final mix yet, it turned out lovely. What I meant to say is Sparklehorse laid down a bunch of tracks and the fellas laid more tracks on top of Sparklehorse's tracks. They added tracks to a Daniel Johnston song that Sparklehorse had started called 'Go.' Did that make any sense? What I meant to say is that Sparklehorse started the song and the Lips finished it. Wayne, Steven and Michael went up to Tarbox (Dave Fridmann's studio) to do the 5.1 surround-sound mix of 'The Soft Bulletin,' but all of the new gear that Dave was getting to facilitate the 5.1 mixing hadn't arrived yet. You'll surely be glad to know that the recording of the next record is already underway.

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